How Minerva Teichert Learned to Paint
Minerva Teichert got her first paints, water colors, when she was just four years old. Of all her education in art, Minerva Teichert is perhaps most benefited by these two gentlemen. The both considered her to be the top artist in their classes and both encouraged her to “paint the Mormon story.”
EDWARD HOPPER
Edward Hopper, born 1882 stood as an American realist painter and printmaker of great distinction. His works now hang in the most prestigious museums around the world. Though his fame primarily rests upon his oil paintings, his mastery extended equally to watercolors and the art of printmaking, particularly in etching.
Hopper taught Minerva Teichert to infuse everyday subjects with subdued yet theatricality rich layers of poetic significance that beckoned forth narrative interpretations. Hopper’s own portrayal of America bore the hallmark of "absolute truth," earning him widespread acclaim. Notably, his partnership with fellow artist Josephine Nivison, whom he married, proved to be a catalyst in his artistic journey. Josephine not only served as a life model but also became an integral creative collaborator, leaving an indelible mark on his body of work.
Within the art instruction Minerva Teichert received Edward Hopper shines as a luminary figure. His impact on young Minerva resonates powerfully across both her artistic approach and the tapestry of old Mormon culture.
ROBERT HENRI
Robert Henri 1865 – 1929 emerged as a prominent American painter and art educator. During his youthful years, he underwent studies in Paris, an experience that deeply aligned him with the Impressionist movement. Fueled by this connection, he resolved to lead a more pronounced rebellion against the traditional academic art prevailing in America, symbolized by the conservative National Academy of Design.
Minerva Teichert attended his instruction and could be considered a devoted follower. Henri paved the way for the Ashcan Art School of American realism. This artistic movement fearlessly portrayed urban existence in an unapologetically raw and gritty manner. Minerva Teichert was exposed to a tremendous wealth of knowledge and experience by painting under Henri. Acknowledgment of Henri's artistic prowess was manifested when the Arts Council of New York designated him as one of the foremost three living American artists.
Minerva Teichert as an art student working under Robert Henri